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Egyptian Gods and Goddesses
A quick look at: Imhotep.
While some might better recognize Imhotep as the possessed mummy from the Hollywood blockbusters The Mummy and The Mummy Returns, he was, in fact, one of the most renowned figures in Egyptian history for much more admirable feats.
An astoundingly talented man, Imhotep was the master builder for King Djoser, and built the famous stepped pyramid of Djoser at Saqqara (photo 2). Dating to before 2600 BCE, this pyramid is one of the first monumental stone buildings in the history of mankind. Certainly a milestone in the evolution of architecture, it is viewed as a forerunner to the more typical smooth-faced pyramids built during the great ‘age of the pyramids’ in the 4th Dynasty. He is also the first artist to have their name recorded anywhere in the world.
Imhotep has also variously been recognized as a poet, scribe, astrologer, vizier and as an influential doctor. He also served as the high priest of Re, and as the pharaoh’s official seal bearer. Following his death, Imhotep was deified by the Egyptians as the son of the god Ptah.
“In priestly wisdom, in magic, in the formulation of wise proverbs; in medicine and architecture; this remarkable figure of Djoser’s reign left so notable a reputation that his name was never forgotten.” -Egyptologist James Henry Breasted.
Just as a quick side note, consider the time span between the life of Imhotep who lived during the reign of Djoser (2630-2611 BCE) and the age of the shown statuette. This would be like us making artworks of a person who lived over 2000 years ago, not something that would typically be done unless that person was perceived to have been particularly remarkable and important to our history.
Egyptian Blue – The Oldest Known Artificial Pigment
Egyptian Blue, also known as calcium copper silicate, is one of the first artificial pigments known to have been used by man. The oldest known example of the exquisite pigment is said to be about 5000 years old, found in a tomb painting dated to the reign of Ka-Sen, the last pharaoh of the First Dynasty. Others, however, state that the earliest evidence of the use of Egyptian blue is from the Fourth Dynasty and the Middle Kingdom, around 4,500 years ago. Nevertheless, by the New Kingdom, Egyptian Blue was used plentifully as a pigment in painting and can be found on statues, tomb paintings and sarcophagi. In addition, Egyptian blue was used to produce a ceramic glaze known as Egyptian faience.
Egyptian faience hippopotamus. Credit: British Museum
Its characteristic blue colour, resulting from one of its main components — copper — ranges from a light to a dark hue, depending on differential processing and composition. If the pigment is ground coarsely, it produces a rich, dark blue, while very finely-ground pigment produces a pale, ethereal blue. It is made by heating a mixture of a calcium compound (typically calcium carbonate), a copper-containing compound (metal filings or malachite), silica sand and soda or potash as a flux, to around 850-950 C.
In Egyptian belief, blue was considered as the colour of the heavens, and hence the universe. It was also associated with water and the Nile. Thus, blue was the colour of life, fertility and rebirth. One of the naturally blue objects that the Egyptians had access to was lapis lazuli, a deep blue semi-precious stone which could be ground up into powder, although this was a luxury item and had to be imported from Afghanistan. Therefore, it is not too surprising that the Egyptians sought to produce a synthetic pigment to use as a substitute for the blue lapis lazuli.
Hunting in the marshes (fragment), tomb chapel of Nebamun. Credit: British Museum.
The manufacture of Egyptian Blue eventually spread beyond Egypt’s borders, and can be found throughout the Mediterranean. Egyptian Blue has been found in numerous Greek and Roman objects, including statues from the Parthenon in Athens and wall paintings in Pompeii. Despite its extensive application in art, Egyptian Blue ceased to be used, and its method of production was forgotten when the Roman era came to an end.
In the 19th century, Egyptian Blue was re-discovered. The excavations at Pompeii revealed that many wall paintings had Egyptian Blue on them, and this prompted scientists to investigate the exact composition of this pigment. Since then, researchers have gained a much deeper understanding of its unique properties. Experiments found that Egyptian Blue has the highly unusual quality of emitting infrared light when red light is shone onto it. This emission is extraordinarily powerful and long-lived, but cannot be seen by the naked eye, because human vision does not normally extend into the infrared range of the light spectrum. In addition, scientists unexpectedly discovered that Egyptian Blue will split into ‘nanosheets’ – a thousand times thinner than a human hair – if stirred in warm water for several days. Scientists now believe that its unique properties may make Egyptian Blue suitable for a variety of modern applications.
Egyptian Blue may one day be utilized for communication purposes, as its beams are similar to those used in remote controls and telecommunication devices. Moreover, Egyptian blue could be used in advanced biomedical imaging, as its near-infrared radiation is able to penetrate through tissue better than other wavelengths. As an ink solution, Egyptian blue opens up new ways for its incorporation into modern appliances, such as the development of new types of security ink and possibly as a dye in the biomedical field. While the use of Egyptian blue in modern high-tech applications is still in its infancy at this stage, it does seem that its future is a bright one.
|—||Fyodor Dostoyevsky (via purplebuddhaproject)|